Tracing-paper, thereby making it an easy matter to double the size of the image when he transferred it to canvas. Van Gogh traced the figure and drew a grid on the Keisai Eisen's courtesan had graced the cover of the special double-issue of Paris Illustre on japonaiserie that appeared in May 1886. The painting shown here, after a work by Kesai Eisen, was done from a reproduction rather than from the original, and was the largest and most ambitious of the three copies Endeavoring to master the formal characteristics of these Japanese prints, Van Gogh made use of the traditional academic Van Gogh, an avid collector of Japanese art woodcut prints, had been inspired by Japanese woodcut masters, such as Katsushika Hokusai and Impressionism artists, which he was striving to incorporate into his own work at the time. ![]() Particularly appealed to him, but now, in Paris, he also came to perceive a clear connection between these prints and the stylistic innovations of the Initially, it had been the expressivity of the images that had Self-Portrait with Bandaged Ear and PipeĬourtesy of Van Gogh had already developed an interest in Japanese prints in Antwerp, where he had first become acquainted with them.
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